"Time's Self portrait" 2010 for Silpakorn University Bangkok Museum Aluminium, plastic, wood, glass 1 projector 9 canvas 90 X 160 X 3 cm 1 videos - Series 1/3 + 2AP Dimensions according to the space Courtesy of various collections, Lu.C.C.A. Museum, Silpakorn and the artist

Time is simply a convention, an eschatological, absorbing, always-different game, an ideal tool that helps us to beat the rhythm of life without limits or closures either. “Chasing time” could mean measure up us and our ideals, live our dreams and find, in the awareness of the illusion, the plausible paths to reach a universal knowledge. "I love playing with time, passing through it looking for a better life. Life experience helps me to be at ease with myself, to have an always “in progress” relationship with the time concept, to learn more about everything around". Self-portrait corresponds to a mirror-vision of self, to an ideal image of self, a catharsis, a memory-opening perfect world, a real rebirth, an unexpected exaltation of the ego, an unexpectedly-constructive intention of existential militancy, a reflection of our encrypted parts. "In each portrait lives a part of me which manifests itself every time I work. I shape and structure myself through all the people I meet during my life.” We use to get away from the passage of time, to preserve ourselves, but also we try to harness and measure it, looking some way to know and investigate about time. A work of video art helps us to re-live the fragments of our history; and frames, in addition to personality and identity, beat the rhythm of life: "I use to play with time: slowing it down, speeding it up and, in some cases, deleting it while stopping it. I create a timeless mosaic while I try to measure up the temporal fragments by composing the lives of other selves, and, through this process, my own life too. "